Born in Tirana, Danilo Zeka studied at the Albanian State Academy of Dance. After being a member of the Albanian State Opera Ballet(1995/97), he was invited to attend The Grand Theatre de Genève (CH). He joined The Greek National Opera Ballet in 2001and in 2007 he became a Principal dancer under the ballet direction of Irek Mohametov. He has worked together with numerous prestigious choreographers, leading the principal roles in their creations such as Swan Lake (Igor Zelensky), Eugene Onegin and Giselle (Irek Mohametov), Don Quixote (Vladimir Vasiliev), La fille mal gardée (Alexander Grand), Canto Generale and Snow Queen( Ray Barra), Carmen (Harris Mandafounis), the leading roles at Nutcracker, Romeo and Juliette, Cinderella, Medea, Boléro, La Voyage. Furthermore he had the leading principal role in The journey to Eternity (Renato Zanella), John-Zorbas (Lorca Massine), Four last Songs (Juri van Dantzig), Werther- Chopin in Love ( Yannic Boquin), Prince Phillip- Sleeping Beauty (Pontus Lindberg), Links and Topia (Andonis Foniadakis), etc. Also, he has participated in numerous international dance festivals and Galas in Italy, France, Switzerland, Ukraine, Greece, Cyprus, Albania, Romania, Bulgaria such as Red Cross Gala(Udine), “Meet the Stars” in Herodes Atticus (Athens), “Day of Culture”(Paris) etc.

Ms.Kamara received her early ballet training with Ellen Gniadowska and Peggy Lynne in Baltimore, Maryland. After studying one year at the Washington Ballet School in D.C., she pursued her studies at the School of American Ballet in New York. From 1984 to 1989, Ms. Kamara was a member of the New York City Ballet where she danced roles in ballets by George Balanchine, Jerome Robbins, Peter Martins, Eliot Feld and Lar Lubovitch. During the 1989-90 season Ms. Kamara danced in Bonn, Germany under director Youri Vamos, where the role of the Nubiana from Spartacus was created for her. In 1990, Ms Kamara joined Miami City Ballet working with director Edward Villella. Subsequently, she was promoted to principal ballerina. There she received critical acclaim for her performances in the Balanchine repertoire including the Arabian solo from the Nutcracker, the siren in Prodigal Son, Calliope in Apollo, the solo tall girl in Rubies, the Russian girl in Serenade, Allegro Brillante, Who Cares, Bugaku, Agon, Four Temperaments, and many more. Her final company contract was with Maurice Bejart from 1996-1999 in Switzerland. During this period she performed several of his ballets, including the renowned Bhakti, Sacre du Printemps, Le Mandarin Merveilleux, L'oiseau de Feu, and Ballet for Life (Le Presbytere). Miss Kamara has appeared as a guest artist throughout the United States and Europe. Some of her well-known performances were at the Arena di Verona for more than two decades for her notable and distinguishing performances in Aida, working with Placido Domingo for his Gala evening of “Carmen” and performances of “Aida” in Japan, performing Franco Zeffirelli’s “Aida” in Teatro alla Scala ( Choregraphy Vladimir Vassiliev ), an evening event for Bulgari at Terme di Caracalla in Rome with Roberto Bolle and Andrea Volpintesta, Gala des Ètoiles in Luxembourg (where she performed two Balanchine pas de deux’s licensed from the Balanchine Trust), and performing for the last two closing night galas on the occasion of the 20th anniversary of the “Miami International Ballet Festival”. Other tours included the Spoleto Festival, the Edinburgh Festival, the Leonide Massine Festival, South Africa, Portugal, Japan, and the Kennedy Center, to mention a few. Myrna is a guest teacher ( Basel Ballet School, Tanz Academie Zurich, San Francisco Ballet School, School of American Ballet, New York City Ballet , Greek National Opera, Architanz, Ashkenazy Ballet Center, Orsolina 28, Art Studio Danza, Mimarsinan Fine Art and State Konservatory, Istanbul,Turkey) and coaches dancers and competition ice skaters to help improve their artistic performance qualities. Recently Myrna was a jury member for the Prix de Lausanne 2021 and 2022 for the Miami International Ballet Competition. In addition to all of this, Ms Kamara is the founder and performer of balletXtreme dance company, a strong neoclassical contemporary ballet company performing works from diverse internationally renowned choreographers.

Marco Fagioli began his professional career as a company member in 2002 with the “Arena die Verona Foundation”. Later he performed as a soloist and principal dancer in important roles from Swan Lake, Don Quixote, Romeo and Juliet (Amedeo Amodio), Firebird (Renato Zanella), and many more. In the Arena de Verona he performed as a soloist for Franco Zeffirelli’s “Aida”, choreographed by Vladimir Vassiliev, and “Turandot”, choreographed by Grazia Garofoli. In 2004 he participated in Swan Lake with the English National Ballet at the Royal Albert Hall in London. From 2016 – 2018 Marco performed the leading roles in Nutcracker, Coppélia, Carmen (Amedeo Amodio) and Mediterranée (Mauro Bigonzetti) for the company of Daniele Cipriani. He is currently performing as a principal guest artist in several venues.

Antonio completed his studies at the National Dance Academy of Rome. From 2017 he became a member of the company at the Arena di Verona, Teatro Massimo di Palermo, Landestheater Innsbruck, Moravian Silesian Divadlo and Teatro Bellini di Catania . Antonio also has had the experience to work with numerous prestigious choreographers in their creations including: LE CORSAIRE, choreography from Michele Bejart MEMORIES OF MAHLER from Jo Strongman DON QUIXOTE from Michel Stipa COPPELIA from Giorgio Madia. During his season at Teatro Bellini di Catania he was performing as a soloist in Don Quixote (Espada), and Swan Lake (Siegfried) from Gino Potente. He also performed in specific Galas at the Arena di Verona: Galà Verdi choreography from Luc Bouy, Galà Domingo from Giuseppe Picone, and Galà Bocelli from Luc Bouy. Antonio is presently a guest artist in several venues performing roles created for him.

Shannon Maynor, originally from California, has been a Berlin based artist since 2019. Prior to moving to Germany, she trained and performed with San Francisco Ballet before joining Oregon Ballet Theatre and then worked independently in New York, dancing with a variety of companies and choreographers. In addition to performing, Shannon has taught all over the world throughout the USA, Europe, the UK, and Japan. She has choreographed original works for Images Neue Choreografien, CelloPointe, Pacific Festival Ballet, and Hudson Ballet Theater, as well as collaborated on a series of dance films with composer Alessandro Paganelli. She has also completed a residency at Compagnie Marie-Chouinard in Montreal. Her most recent projects were at St. Matthaüs Kirche, The Volksbühne Rote Salon, and as a performer at the La Becque Residency in Switzerland and at Festspielhaus Hellerau. She now teaches Professional Ballet Training at Center of Dance and as guest at Marameo in Berlin. She is also guest teaching for Staatsoper Hannover, Gaertnerplatztheater, Landestheater Linz, Deutsche Oper Berlin, Delattre Dance Company, and Matthew Bourne’s New Adventures. She is currently working with choreographer Patrick King/Salon K and London based company Ballet MAR. As of 2023, Shannon is a 4Pointe certified teacher.

Marco Carrer was born in Treviso, Italy, where he very soon started his ballet studies. He then trained at Bolshoi ballet academy in Moscow under the direction of Marina Leonova and at the European school of ballet of Jean Yves Esquerre in Amsterdam where he graduated. Right after he joined the Israel ballet as a demi soloist and later he was also a dancer with the Croatian National ballet in Split. He then started working as an international guest principal dancer and joined balletXtreme in 2025. During his career he has danced soloist and principal roles in many of the classical productions such as “The sleeping beauty”, “The nutcracker”, “Swan lake” and “Don Quijote”. He also had the chance to dance the works of some of the most prestigious contemporary choreographers like Sharon Eyal, Itzik Galili, Andonis Foniadakis and Angelin Preljocaj.